What started out as just another workplace dispute inside one London office for Union Bank of Switzerland (UBS) now has escalated into an international campaign led by migrant workers spanning 3 continents to picket UBS’ offices in Zurich, New York, Buenos Aires, Kyiv and other countries.
TMPOnline Editor, Justin Baidoo responds to Rod Liddle’s infamous Spectator blog on Multi-culturalism and claims of Liddle’s racism.
Rod Liddle’s blog post entitled “Benefits of a multi-cultural Britain” attributes most of the high profile social ills (knife and gun crime, violent sexual crimes) to African Caribbean males. Aside from this being factually incorrect, he goes on the next day in response to a post on Diane Abbott’s blog to state that he hates racism and in an attempt to appear non-racist quotes Diane Abbott and Trevor “segregate black boys” Phillips which he portrays that they make similar points to his argument which he says is based on cultural rather than racist values.
Here he is being disingenuous, by deriding and highlighting the only contributions an ethnic group has brought to society as “rap music, goat curry”and laden “us” (read: indigenous whites) with an “alien” culture, it cannot be viewed by the impartial reader that he is giving an honest though brutal critique with problems in a community. He is denigrating the African-Caribbean community and suggesting that London would be better off without them.
It can be frustrating to watch yet another sea of African children being used as window dressing for some other charity drive to guilt-trip the public into diving into their pockets. However last night’s Channel 4’s Dispatches was troubling viewing even for the hardened second generation African immigrant like myself.
Return to Africa’s Witch Children was intriguing follow up to the BAFTA and multi-award winning Saving Africa’s Witch Children. The first programme was harrowing and powerful, it instigated a deluge of international outrage towards the treatment of vulnerable children in Nigeria’s Akwa Ibom State. So much so that the State Government was duly embarrassed into bringing forth a Child Rights Act, which enshrined children’s right to education and criminalising the practice of stigmatising children as a witch. This state law however was 5 years overdue, under the then President Olusegun Obasanjo the federal government in conjunction with UNICEF had passed the Child’s Rights Act 2003 and by 2007 only 15 of Nigeria’s 36 State governments had enacted the Federal law.
Judith Amanthis reports on how an innovative artist is pioneering methods of engaging working class communities whilst combating the far-right.
Everyone on the UK left knows why some members of the white ex-industrial working class have voted BNP. None that I know of knocks on doors in Doncaster or Dagenham, says “What can we do to help?” and talks to people. That’s what the BNP does.
Is it useful to engage in inside-left (excuse the pun) debate about whether the BNP is a fascist party? Is an elected Hitler likely in multi-racial 21st century UK? When the government’s far right immigration policy is an attempt to stem the haemorrhage of whiteness and Englishness from the UK working class anyway?
Whichever anti-BNP slogan the left chooses, one young woman is acting creatively. Artist Rachel Horne and her friends are trying to drag her South Yorkshire ex-mining community, and especially her generation, away from the BNP, but also from the British army and the drugs barons. An increasingly coercive and privatised social security system doesn’t help.
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